Appendx 3 - Stereometric Permutations : Preston Scott Cohen

Stereotomic Permutations : Preston Scott Cohen
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The Distance Point method constructs a volatile symmetry by requiring that the perspective be reversed in relation to its object across a measuring line. The result is a set of similar configurations (an orthographic object and a perspectival object) that differ proportionally and dimensionally. Conventionally, the measuring line defines and holds apart the opposing methods of representation: the convergence and illusionism of perspective vs. the parallelism and actual dimensions of orthographics. In this project, the implicit symmetrical order is repeatedly brought to bear on its objects and perspectives by forcing them to intersect, join and fold back on themselves to form a series.

When the lineaments of a perspective are brought into coincidence with those of stereotomic projection, fixity of point of view and the infinity of orthography become mired in a logical contradiction. On the one hand, points of convergence (the eye and distance point) constellate a perspective and an object. On the other hand, these same points, extended as fold lines, are shared by the surfaces of three dimensional objects formed by both the original object and its perspective; since they are stereotomic, these combinatory objects contradict perspective by positioning the viewer at an immeasurable distance from the entire object. The result is an apparent anamorphosis with the points from where one could gain an undistorted view in positions that can never be occupied.

From three dimensions to two and back to three again; reversals exaggerate the combined methods and in so doing eliminate the boundary between description and perception. The matrix that once separated things by distinctly defining them has become the process by which things are rendered indivisible.